Hard Working Class Heroes, featuring big names and rising stars – and everything from rock to hip-hop – is set to provide a snapshot of one nation under a groove. Phil Udell reports
WHIPPING BOY (Project Arts Centre, Dublin)
TO GET a crowd up and dancing requires something special - but then Whipping Boy have always had that something.
Nobody actually shouted “hit the bitch” during the previous Dublin run of Oleanna – as happened on Broadway – but Irish audiences were sharply divided in terms of the male and female adversaries in David Mamet’s controversial play. Personally, I found the polemical exchanges at the heart of the production a little ham-fisted.
FROM A WHISPER TO A SCREAM is a major new six-part RTE series. Directed by DAVID HEFFERNAN, and featuring new interviews with the major players including Van Morrison, Bob Geldof, U2 and Siniad O Connor it traces the history of Irish music, from showbands to boybands and beyond. By PETER MURPHY.
The battle for artistic freedom comes to Dun Laoghaire's Pavillion Theatre with a panel discussion on music censorship featuring Nitin Sawhney and more this Sunday 29th August
Joe Jackson talks to Susan FitzGerald, star of Landmark Productions’ Irish premiere of Edward Albee’s The Goat, or Who Is Sylvia?, the controversial play which explores a range of taboo topics.
They’ve performed in front of Will Ferrell and created a huge stir with their RTE debut. Just back from Edinburgh, Dead Cat Bounce are now setting their sights on the live arena.
He may just be the best-kept secret in Irish comedy, a veteran export who has won critical acclaim in Britain and the respect of luminaries such as Frank Skinner, Bill Bailey and Simon Munnery. Paul Nolan talks to Ian MacPherson in advance of his homecoming.
The past year hasn't been the easiest for Whipping Boy and all who sail in him. Their debut album, though critically acclaimed, did not sell well and they've also had to weather their own share of record company hassles. But, as Gerry McGovern discovers, the band are still setting their own agenda, and forging forward with their own brew of hope, confidence and fuck-ye-all attitude.
To mark the occasion of the release of a near definitive punk compilation, GEORGE BYRNE fondly recalls the days when pogo was go-go and gabba gabba was hey.
With his work on the soundtrack to In The Name Of The Father bringing him into the full glare of media attention Gavin Friday takes this opportunity to put to rest any accusations of riding on U2’s coat-tails. Confident and brimming with ideas for his solo career, The Spotlight Kid gives the lowdown to an eager BILL GRAHAM.
It’s a different world than it used to be! In this special extended birthday column, The Hog takes a necessarily selective – and typically colourful – look at the 30 most important influences on the process of change that has brought this country all the way from there to… well, where else but here?
’86 inspired the realisation that rock’n’roll now encompasses such a broad spectrum of self-contained categories (Hip-Hop, Metal, AOR, ad infinitum) operating simultaneously that the possibility of any truly revolutionary movement on the scale of ’78 would appear to be singularly remote.
AGNES BERNELLE s death last month brought a truly remarkable
life to a close. SIOBHAN LONG looks back, in the company of
Gavin Friday, Philip Chevron and Alan Amsby.
On 25 August 2001 - twenty years after first appearing there in support to Thin Lizzy - U2 play Slane Castle. NIALL STOKES reflects on the extraordinary journey that has led up to this historic, and beautiful, day
In the new Hot Press, Peter Murphy picks his 20 highlights from the last 35 years of home-grown alternative culture (in strictly chronological order!). Take a look and then have your say on the indie moments that rocked in your lifetime...
